none of your business - salt ‘n pepa
fuck. yes. salt ‘n pepa, all the way back in ‘93, being bad-ass + sex positive.
Went to a show the other night at The Summit. It’s one of several venues in walking distance from my apartment, which is always nice. It was the first time I’ve been in The Summit in it’s current incarnation. Saw a punk(?) band called Dead Girlfriends, which is newish, and which I was there to see because I sort-of know the lead singer, and which I totally dug. Looking forward to the 7” they’re working on.
Also I love when you go to hear your friends’ band & you actually really love it.
And I’m not just talking about the American right, I’m talking about all the well-meaning white folks who’ve told me how they want to like Lil Wayne but lo, the misogyny, the violence, the drugs. But, but, I’ll say: Bob Dylan aced misogyny; the Rolling Stones sang about violence; the Velvet Underground knew their way around some drugs. Yeeeah, but it’s different, they’ll say, elongating that “yeah” with conspiratorial inflection: you know what I mean. Yeah, I know exactly what you mean.
Rap music doesn’t get unarmed kids shot to death, “it’s different” does. “It’s different” infuses “these assholes always get away” and gives solace to people who hear that sound bite and nod their empty heads in agreement. “It’s different” is the same logic that suggests a teenager’s skin color combined with the music he listened to means he had it coming, and it’s the same logic that lets a bunch of people feign outrage over a teenager’s use of the n-word to describe himself when they’re really just outraged that he beat them to the punch.
“It’s different” makes me shake with anger because it turns music into a dog-whistle to justify the murder of a kid who doesn’t seem all that “different” from me was when I was his age, not that different at all. I liked Skittles and hoodies and weed, too. And yeah, I’m white and never worried about getting shot for any of it, which is only the most loathsome excuse for not identifying with someone that I can possibly think of."
(Source: thediscography)
WHAT?!
(Source: thebusstop)
“and if you don’t like abortion
don’t have an abortion
teach your children
how they can avoid them
but don’t treat all women
like they are your children
compassion has many faces
many names
and if men can kill
and be decorated instead of blamed
when a woman called onto mother”- ani difranco, “Amendment”
So last year several bands from Columbus went to SXSW and did a Columbus music showcase of sorts.
They’re doing it again (with a somewhat different group of bands)…. with some help.
Click the link to donate (and you can get some goodies like free admission to a show or a CD, too)!
The true identity of Ludwig van Beethoven, long considered Europe’s greatest classical music composer. Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.
In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion.:
” Frederick Hertz, German anthropologist, used these terms to describe him: “Negroid traits, dark skin, flat, thick nose.”
Emil Ludwig, in his book “Beethoven,” says: “His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].”
Fanny Giannatasio del Rio, in her book “An Unrequited Love: An Episode in the Life of Beethoven,” wrote “His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.”
C. Czerny stated, “His beard—he had not shaved for several days—made the lower part of his already brown face still darker.”
Following are one word descriptions of Beethoven from various writers: Grillparzer, “dark”; Bettina von Armin, “brown”; Schindler, “red and brown”; Rellstab, “brownish”; Gelinek, “short, dark.”
Newsweek, in its Sept. 23, 1991 issue stated, “Afrocentrism ranges over the whole panorama of human history, coloring in the faces: from Australopithecus to the inventors of mathematics to the great Negro composer Beethoven.”
And yet Western “scholars” want you to believe that Beethoven looked like:
If Western scholars knew (or admitted) Beethoven was anything other than European & White, we would have probably never heard of him, much less treat him as one of the greatest composers in history.
http://musicalmelody.tumblr.com/post/3791917373/other-awesome-music-blogs
And its all nicely sorted by instrument and topics! Go check it out!
~Roxanne(musicalmelody)
FYI

